Uchida’s rendition didn’t quite start on the right foot. After playing only a few notes of the solo opening phrase, she ...

Opening New York City Ballet's spring season, a quadruple bill of major and minor Balanchine eventually proceeded after ...

Evgeny Kissin delights an overwhelmingly enthusiastic San Francisco audience with Chopin and Shostakovich, but his Bach is ...

Hans Graf conducts Debussy's Images to close a gala concert featuring the Singapore debut of the great Russian pianist.

The London venue’s Artistic Director talks about Wigmore Hall’s 125th anniversary season, programming 600 concerts – and ...

From Henry Purcell to George Benjamin, a set of ten operas to demonstrate that English is not just a language for prose and ...

The uber-glitzy classical music festival opens with performances by Franz Schubert Filharmonia and the Tokyo Philharmonic, ...

A dozen dances by young choreographers – live and on film – caught my eye at this year's Future Dance Festival at 92NY's ...

Gareth Davies, Principal Flute of the London Symphony Orchestra, talks about the furious scramble to keep up with Colin Davis performing Berlioz’s great hallucinatory symphony.

To execute the technical complexities of anything created by George Balanchine, with his musical precision and speed, a certain freedom combined with sudden juxtaposition, requires careful nurture and ...